I was so happy and excited to receive a copy of One Kind Word in the mail. I had not heard much about it so was doubly excited to see the faces (and stories) of a few people I knew included in the collection. How lovely to see my wonderful friends’ choices validated – celebrated! – in such a beautiful collection.
One Kind Word is the product of arts4choice, an artistic project by Martha Solomon and Kathryn Palmateer in response to a 2007 Ottawa Citizen article about abortion wait times. The goal is to collect stories of people who access abortion in Canada as part of the ongoing efforts to share stories and in so doing, to combat stigma and normalize abortion as a healthcare choice.
Canada is viewed by much of the world as a progressive haven in regards to abortion access, because we do not have a law governing it and so are therefore seen as having ‘no limits’ on abortion. However, the reality is more complicated: healthcare is provincially mandated, so services are determined more by the political bent of the provincial government than by the lack of federal law. Added to the economic disparity of the provinces are additional barriers that limit access: regional disparity in services, long wait times, long travel times, and systemic inequality and indifference to issues of reproductive health. Canadians are subject to the same stigma and alienation around abortion as are Americans and others around the world; the work of making abortion accessible – and contextualizing it as healthcare – is still important here.
Arts4choice approached the project in an artistic way, illustrating each of the 30+ people’s stories with a black and white photograph of the story teller. The result is a bold, brave, unapologetic presentation similar to the attitude behind imnotsorry.net. Each story teller has different feelings and ideas about her abortion, but even those with ambivalence look straight into the camera as if to say, I am not ashamed of this.
Palmateer’s photography is gorgeous, challenging, and definitely the highlight of the book and what sets it apart from other compilations of this nature. I believe this project would be a compelling visual art exhibit as well, which would perhaps make it accessible to a different demographic. Meanwhile, many of the portraits (and stories) are available to be viewed at arts4choice.com.
In the right context, abortion story-telling can be a powerful tool for activism. This book provides a space for that in a beautiful and stylish way that I greatly appreciated – and will be a great conversation starter on your coffee table!
You can buy the book from Three O’Clock Press.